Topics I've been writing about run the gamut:
no longer a vegan
cut my hair
deadlines, real and imagined
upcoming exhibits
thanksgiving dinner
new kitchen counters
messy painters
art fairs
podcasts
social media
Corinne Bailey Rae
having the flu in October and a cold in November/December...
I have been painting a lot, trying to get to a place I haven't been. Is running while standing still an expression? that's how I often feel. Oh, Google tells me it's running to stand still and they reference the current state of affairs, no pun intended. that seems about right.Anyway, I have been painting a lot but I've also been paying attention a lot, which isn't necessarily always the case. I'm making sure to allot the same amount of time for sitting and looking as for standing and painting. this is helpful because I think painter's psyche works this way (or maybe it's all artists I don't know). We have the capacity to work instinctually, allowing the spiritual, the unknown, the subconscious to take the lead, but we're also quite cerebral and need to think a lot and sort it all out. We are in it and out of it which is a good explanation for painting being so much about the push and pull of it all and the tension between the two.
I've been talking about my work a lot lately too, which is very helpful. Abstraction is not a discernible concrete thing to be easily discussed. A lot of people don't know how to talk about it which makes it hard to know how these things are coming across. I am now making strides to add some context to my work. I've had this purist notion that the painting itself should be doing all the talking, but without accessibility there is a clear disconnect. You can't identify with something that is so unfamiliar you don't know what it is. I want to create a clearer entrance for the viewer. Pure abstract formalism has never been my goal. Abstraction has given me a broader range of meaning, but I need my paintings to say more than what they've been saying. I'm not quite sure how that will all work. It's complicated because I'm not really commenting on anything, yet I'm not interested in decoration either. I want to evoke a feeling in the viewer, a memory, a moment, and I want them to take it personally somehow. Is that valid? I realize I have to create it from a personal place to begin with, and, well, that's exactly where I am going to start..
Of several new obsessions, listening to podcasts while I work is by far the most useful. I've listened to a number of artists talk about the same exact things I've just mentioned, specifically about painting and context, and that validation is a real comfort in what is usually a pretty uncomfortable space. The studio that is, the place of refuge and struggle at the same time, comfort and conflict!More posts on the way... For now check out my favorite podcasts: Magic Praxis, The Conversation
Further listening and reading: Should Artists Talk About Their Work
