Showing posts with label magic markers. Show all posts
Showing posts with label magic markers. Show all posts

April 16, 2020

coronavirus studio update


I held a paint brush today for the first time in months. Got the palette and the fingers dirty, officially inaugurating my new studio. I had some scraps of styrofoam I've been wanting to play with, and a small canvas that was barely started a while back. I didn't do much, because I haven't been able to focus for more than short spurts, but it was something.


Usually when I am faced with overwhelming circumstances I react in one of two ways. I either let it all out and paint non-stop, or I'm unable to paint at all. When I'm unable to paint, I draw, and glue stuff, and knit, and these are the things I've been doing for the last couple of weeks.


Each drawing: 5x7", Prismacolor markers on heavy cardstick, bottom right has collage element





I've gotten quite a few drawings done during odd hours mostly in the mornings, but I don't do much else.

Today I baked banana bread, thanks to a fun FaceBook group that's been inspiring all kinds of banana inspired silliness.

Last night I cooked the first legit meal for myself in a while. After weeks of cereal and forkfuls of peanut butter for dinner I decided it was time!







I'm still a little in shock from the stress of moving during all this, specifically from a house to an apartment, which is also my studio. I'm living completely alone for the first time in almost twenty years, which at the moment is changing my view of isolation quite a bit. Normally I'd be perfectly content to self-quarantine. It's a necessary and welcome choice for most artists, including myself. I think it's more that I am adjusting both to my own new space and living situation, and simultaneously to the new living situation and confinement of an entire society. It's disorienting.

There has been family drama and loss as well, adding a lot of stress and sadness all around. My sister-in-law's father-in-law passed, and several others were infected and are suffering with the virus, including my mother who was hospitalized but is now in recovery.

It's clear that everyone right now is suffering and adjusting in one way or another. I keep hearing people say, I'll see you on the other side of this. I'm very much looking forward to there being an other side to this. Attempting to be present and live in the moment has never felt more relevant, so that is what I am trying to do.

Hopefully today's little success will continue and increase a little each day. I hope you are also able to make the most of this time, and take care of yourselves and each other!

The drawings are available individually or in groups. Please inquire for details. samanthapalmeriart@gmail.com

















February 9, 2018

How to Enjoy Bad TV

Watching bad TV has never been so fun. I've been working on these crumpled tracing paper drawings in the evenings with the television going. Needless to say I watch a lot of Cheers and Frasier reruns. Thinking of a better title for them.........

Samantha Palmeri Contemporary Artist
Samantha Palmeri, detail, Magic II, 2017, magic marker on tracing paper

Samantha Palmeri Contemporary Artist
Samantha Palmeri, Magic I, 2017, magic marker on tracing paper, 19 x 24 inches

Samantha Palmeri Contemporary Artist
Samantha Palmeri, Magic II, 2017, magic marker on tracing paper, 19 x 24 inches
Samantha Palmeri Contemporary Artist
Samantha Palmeri, Magic III, 2017, magic marker on tracing paper, 8.5 x 11.5 inches
Samantha Palmeri Contemporary Artist
Samantha Palmeri, Magic IV, 2018, magic marker on tracing paper, 19 x 24 inches
Samantha Palmeri Contemporary Artist
Samantha Palmeri, detail, Magic IV, 2018, magic marker on tracing paper

Samantha Palmeri Contemporary Artist
Samantha Palmeri, Magic V, 2018, magic marker on tracing paper, 19 x 24 inches
Samantha Palmeri Contemporary Artist
Samantha Palmeri, detail, Magic V, 2018, magic marker on tracing paper
Samantha Palmeri Contemporary Artist
Samantha Palmeri, view of 5 drawings


December 4, 2017

CONSUMERISM

I am obsessed with decorating magazines. I admit it. House Beautiful, Elle Decor, Architectural Digest, Domino, Lonny, Dwell, Moon to Moon, etc. etc.
It's kind of a problem because all it does is make me want to go out and buy all the things on the pages, which is the point of course. I know ultimately it's all a farce, but I do love looking at other cultures and the way other people all over the world live. I find it inspiring. Unfortunately it also leads to sweeping generalizations about America and the way we live, the way I live.


Samantha Palmeri art
magic marker on tracing paper, 19 x 24 inches
American culture... where everything has to be brand new, pristine, shiny, and big. We think of ourselves as slightly more moral and decent than the rest of the world, and we like our products to reflect that. When things get used we replace them. Throw out the old and bring in the new. This reinforces our entire way of thinking and living.  If we stripped away this idea of shiny newness what would that look like?

Well, certainly the answer can't be found on the pages of a glossy magazine!

Lately I've been searching on the internet for things like how to darn socks and dye old fabrics, and now that it is officially Christmas season this all seems relevant...? I am NOT free from American consumerism by any means. Not all the things on my Christmas list are used/vintage (FYI I just spent a ton of money on a very shiny new kitchen sink), but I also cannot bear to buy one more product from Home Depot or Target. I have no interest in living a life that looks like a sterile hotel room or an ad in a home and garden box store circular. And anyway I can't think of anything warmer and more inviting than objects, interiors, and even people that are slightly rumpled and used.

And that leads me to what I really wanted to tell you about. I know I've gone off on a tangent, but besides my Christmas list, I really have been thinking of all this in relation to my work. If I could embrace that bit of messy nature, of wild rambling vines and the familiarity of the slightly used and rumpled... I'd be very happy.


Samantha Palmeri art
magic marker on tracing paper, 19 x 24 inches
At night while I watch TV I've been making drawings with magic marker on crumpled tracing paper. It feels very liberating. When I started to paint on paper instead of canvas last spring I had this need to not take my materials so seriously. I was feeling pressured with the responsibility of costly canvases and I wanted to not be precious with anything. I want to be free and unencumbered with my materials but also I want to make work that is more natural, less laborious and ultimately more accessible for the viewer. Although I've been going back and forth between canvas and paper, I'm approaching it differently. Less preciousness, less earnestness, less pressure, more natural, more immediate, more personal, more accessible. Nature is a wild beautiful miry mess and I'd like to embrace that, at least in my work if I can.

... off on a tangent or not, I'm planning to give everyone jarred peaches for Christmas this year, tied with a used ribbon and a handmade paper card... we'll see how well that goes over.


Happy Season to you all!
Happy Making, and thinking, and being!