Showing posts with label figurative. Show all posts
Showing posts with label figurative. Show all posts

November 16, 2016

Artist of the week: Susan Rothenberg

My first artist crush, Susan Rothenberg

Ah the simple pleasures of painting. All those gorgeous painterly brushstrokes! You feel and see her every movement on these canvases. When you stand in front of a Susan Rothenberg painting you become a witness to her very personal viewpoint, making it an experience rather than just a painting. She sets a stage for you to feel you are a participant in.

Thomas Micchelli
Rothenberg begins with negation, cleaving away all that’s inessential, then reaches forward and backward in time, gathering whatever she needs, probing inward toward formalism and outward toward experience, one hand in the clay and the other in the air.
In a career that spans over 40 years, expectedly there are some paintings I am much more in love with than others so here I present some of my absolute favorites...

Susan Rothenberg Dogs killing rabbit
Dogs Killing Rabbit, 1991-92, oil on canvas, 87 x 141 inches

"A lot of my work is about melodrama. I wait for Bruce to fall off a horse and then I go, 'Oh, okay, the horse’s legs were there, the fence post was there, his hat flew off there...'"

- Susan Rothenberg

Susan Rothenberg Accident #2
Accident #2, 1993-94, oil on canvas, 66 x 125 inches
Susan Rothenberg Calling the dogs
Calling the dogs, 1993-94, oil on canvas, 69 x 65 inches

Susan Rothenberg With martini
With Martini, 2002, oil on canvas, 76 x 87 inches

Susan Rothenberg Blue Flip
Blue Flip, 1989-90, oil on canvas, 55 x 46 inches

Susan Rothenberg White deer
White Deer, 1999-2001, oil on canvas, 91 1/2 x 112 inches

Susan Rothenberg Blue u-turn
Blue U-Turn, 1989, oil on canvas






Susan Rothenberg Galisteo creek
Galisteo Creek, 1992, oil on canvas, 112 x 148 inches

Susan Rothenberg Falling
Falling, 2001, oil on canvas, 84 x 72 inches


Susan Rothenberg Four color horse
Four Color Horse, 1976, acrylic and flashe on canvas, 67 x 112 inches

Susan Rothenberg 4 Kinds
4 Kinds, 1991, oil on canvas, 52 x 88 inches

Susan Rothenberg Dog and snake
Dog and Snake, 2004-05, oil on canvas, 49 3/4 x 36 1/2 inches
Susan Rothenberg Untitled (geese)
Untitled (Geese), 1999, Etching, aquatint, and sugar-lift aquatint on chine collé, 13 11/16 x 20 1/2 inches
Susan Rothenberg the corner
The Corner, 2008, oil on canvas, 71 x 57 inches
Susan Rothenberg Crying
Crying, 2003, 5 color lithograph/screenprint, 34 x 35 inches

Steak and Wine, 2000, oil on canvas, 81 x 91 inches



Susan Rothenberg painting
[I've searched all morning for the title of this painting. If anyone knows the image details please let me know]





Susan Rothenberg Hawk
Hawk, 1993-94, oil on canvas, 37 5/8 x 63 5/8 inches

Susan Rothenberg
Susan Rothenberg in her studio


Further looking and reading:
Sperone Westwater Gallery
art21
BLOUINARTINFO
MutualArt







Current Exhibition at Sperone Westwater Gallery
4 November – 20 December 2016
Susan Rothenberg




June 20, 2016

Artist of the Week: Philip Guston

Philip Guston
Philip Guston, Alchemist, 1960, oil on canvas, 61 x 67 3/8 inches
Philip Guston
Philip Guston, Position I, 1965, oil on canvas, 65 x 80 inches

Since I'm moving to a new house next week my time at the studio, or anywhere else for that matter, has been temporarily taken over with packing. Thankfully last week I was able to take a slight reprieve to go and see the Philip Guston show at Hauser & Wirth. Although I needed to climb over a few boxes to write this to you I wanted you to read it before the show closes next month.

Seeing this exhibit couldn't have come at a better time for me. While I'm at the cusp of an important address/life change, my work is also having a moment. It has reached its point to change directions.


With that, I think I can safely say this show has changed my life! Although it has left me with more questions than I know what to do with, I'm inspired to dig deeper within myself to find the thing that most interests me.

Philip Guston
Philip Guston, Portrait I, 1965, oil on canvas, 68 3/8 x 78 inches
I need to know why these paintings work!
How they work. It is baffling me. I've never been so perplexed by an exhibition. Why not paint to the edge? Why the same size brush throughout? Why the color choices? Why the muddy grey that's somehow not muddy at all? How is it possible for that black to work so well as a figure? How is he pulling this off? A line here, a gesture there and somehow we know exactly what he's trying to say. I don't know how he's done it but I'm determined to find out!
Philip Guston
Philip Guston, Inhabiter, 1965, oil on canvas, 76 1/8 x 79 1/4 inches

Guston believed artists don't always choose the kinds of paintings they inevitably end up making. That might go without saying. Guston was an artist who changed his course more than once and at no small cost to his professional career.

When I consider that, it makes me wonder why I am making the kinds of paintings I'm making...

Philip Guston
Philip Guston, Untitled, 1962, oil on canvas, 66 x 73 inches
Philip Guston
Philip Guston, Group II, 1964, oil on canvas, 65 1/8 x 79 1/8 inches

The show at Hauser & Wirth highlights the period smack in the middle between Guston's pure abstraction and late figuration. It's interesting that you can almost see his wheels turning, each brush stroke transporting him from one important moment to the next. Perhaps this work would look wholly different if we weren't able to place it so effectively in its historical place. But perhaps it would have succeeded just as well. I'm not sure about that, but I am sure that his mode of expressive painting seems to have chosen him rather than the other way around. No matter what, Guston was open to finding his absolute truth and the best way to represent it.

Philip Guston
Philip Guston, Painter III, 1963, oil on canvas, 66 x 79 inches


Philip Guston
Philip Guston, The Wave I, 1967, Brush and ink on paper, 13 7/8 x 16 5/8 inches

I'd say that's kind of where I'm at: I'm searching for my absolute truth and the best way to represent it.