|Prismacolor markers on Tyvek, 24 x 24"|
It's almost exactly a year ago that I started making these striped drawings. I was having a lot of anxiety at the time, and the only thing I could think of to calm my nerves was to color long straight vertical lines over and over.
So much has happened in one year. I have gone back and forth, repeatedly, working on the stripes, then putting them away, working on more stripes, then putting them away, in different mediums, materials, and sizes. All along, I struggled to see their relevance within the context of my painting practice. I knew they were worthwhile to make, but I didn't know what to do with them.
|Four 5 x 7" drawings, prismacolor markers on card stock, the backs of old gallery postcards|
As you can imagine, with the pandemic and quarantine, the need for anxiety reducing activity became paramount, and the stripes suddenly were brought to the forefront of my studio practice. Working on these scraps (literally, since some of the drawings are on scraps of cardboard, and the knitted pieces are mostly made with leftover scraps of yarn), has been a great source of reassurance and consistency for me. And, as with most things, the more you do, the more you discover. The work has grown in scope and importance. The stripes seem to have taken on a life of their own, infiltrating even the large paintings now.
|detail of knitted piece|
I keep reminding myself, everything counts, and everything's connected.
|Grasping, prismacolor markers on fluorescent cardstock, with collaged elements|
See more drawings on my website.