This as applied to abstract painting;
the pleasure "which is derived from the enjoyment of guessing by degrees, of suggesting it..."
My work these days is a flurry of suggestive activity on canvas,
which at times seems aimless, literally going in circles,
but certainly it's a lot more than that.
These suggestions are just as much brought to bare by the viewer as by the painter.
What does one see when looking at the activity of a painting?
The activity of a painter and her paints, color, texture, movement...?
Do you hear the song I am listening to, can you tell the mood I'm in?
My marks, my flight across the canvas,
like a spider weaving its web,
catch you in a moment of looking.
Two shapes connecting,
many shapes connecting.
As to color, which can only be related to one's perception of color,
is it universal to automatically associate red with blood, blue with the sea, brown with shit, peach with flesh, and black with death?
When does a painting become a painting about making paintings, and who wants to see that?
|Samantha Palmeri, Untitled, 2015, oil on canvas, 50 x 50 inches|
I like the idea of this mass moving through space.
A tangled mass of color and line.
Body fluids and parts, thoughts, ideas, feelings, moments,
sinews connecting tissue and nerve endings.
This rattles me.
This brings me peace.
This is a journey I do not want to go on.
This is a journey I do want to go on.
"The contemplation of objects, the images
and flights of fancy arising from this contemplation
These constitute the song..."
"...one gradually conjures up an object so as to demonstrate a state of mind, or, conversely, one chooses an object which, when gradually deciphered, reveals a state of mind."
This is my struggle to get viewers to not see a duck or a face. I want them to recognize the work, the feeling of it. Is there a way to actually change perception? Can pink ever signify more than little girl's rooms and stuffed animals?
It's a phenomenon that people are so inclined to tell you what they think your painting is all about.
I imagine most people have no idea how many of their comments are insulting, but I'm sure that whatever they think my painting looks like, it's exactly whatever is on their mind not mine. Apparently a lot of people's minds are filled with ducks and mermaids, cartoon characters, shoelaces, and faces from their past.
If everyone views a work of art from their own distinct personal experience and perception, how can the artist speak to everyone at once? If it's even possible at all, then the only way to do it is to start with your own. Your own voice, experience and perception.
Let's just face it, some people will love black and hate pink no matter what you do.......