Showing posts with label watercolor. Show all posts
Showing posts with label watercolor. Show all posts

July 8, 2016

FREE INSPIRATION

There are certain artists I can never get enough of. No matter when or where I happen to stumble upon them, their images never fail to fascinate and inspire.

Here are three of my favorites, Bill Jensen, Gerhard Richter, and Richard Diebenkorn. With one extra by Will Barnett.

Bill Jensen Art
1. Bill Jensen
Gerhard Richter
2. Gerhard Richter
Richard Diebenkorn
3. Richard Diebenkorn

Gerhard Richter
4. Gerhard Richter

Gerhard Richter
5. Gerhard Richter
Bill Jensen Art
6. Bill Jensen

Richard Diebenkorn
7. Richard Diebenkorn
Will Barnet
8. Will Barnet

Richard Diebenkorn
9. Richard Diebenkorn
Richard Diebenkorn
10. Richard Diebenkorn

1.  Bill Jensen,

2.  Gerhard Richter, "Sinbad" (series), 2008, enamel on back of glass, 11 x 9 inches
        Follow the link to view the entire Sinbad series of 100 paintings

3.  Richard Diebenkorn, "Untitled", c. 1952. Gouache and graphite on paper, 11 x 8 1/2 inches
4.  Gerhard Richter, "Sinbad" (series), 2008, enamel on back of glass, 11 x 9 inches
5.  Gerhard Richter, "Abdallah" (series), 2010, enamel on back of glass, 12 x 12 inches
6.  Bill Jensen, "With Color XIII", 2009, egg and oil tempera on paper, 20 1/4 x 15 inches
7.  Richard Diebenkorn
8.  Will Barnet, "Untitled", c. 1957. Watercolor on paper, 7 x 4 7/8 inches
9.  Richard Diebenkorn, "Untitled", c. 1952-53. Watercolor and graphite on paper, 12 7/8 x 18 7/8 inches
10.  Richard Diebenkorn, "Untitled", c. 1952-53. Gouache on paper, 17 1/8 x 14 inches




FREE INSPIRATION

There are certain artists I can never get enough of. No matter when or where I happen to stumble upon them, their images never fail to fascinate and inspire.

Here are three of my favorites, Bill Jensen, Gerhard Richter, and Richard Diebenkorn. With one extra by Will Barnett.

Bill Jensen Art










































Gerhard Richter Sinbad
Gerhard Richter, "Sinbad" (series), 2008, enamel on back of glass, 11 x 9 inches.                                                            Follow the link to view the entire series of 100 paintings. 













Gerhard Richter, "Sinbad" (series), 2008, enamel on back of glass, 11 x 9 inches








































Richard Diebenkorn, "Untitled", c. 1952. Gouache and graphite on paper, 11 x 8 1/2 inches






Gerhard Richter Abdallah
Gerhard Richter, "Abdallah" (series), 2010, enamel on back of glass, 12 x 12 inches

Bill Jensen Art
Bill Jensen, "With Color XIII", 2009, egg and oil tempera on paper, 20 1/4 x 15 inches











































































Richard Diebenkorn
Richard Diebenkorn, "Untitled", c. 1952. Gouache and graphite on paper, 11 x 8 1/2 inches
Richard Diebenkorn
Richard Diebenkorn, "Untitled", c. 1952-53. Watercolor and graphite on paper, 12 7/8 x 18 7/8 in
Will Barnet
Will Barnet, "Untitled", c. 1957. Watercolor on paper, 7 x 4 7/8 inches

Richard Diebenkorn
Richard Diebenkorn, "Untitled", c. 1952-53. Gouache on paper, 17 1/8 x 14 inches



September 24, 2015

Back in the Saddle Again

It's been a crazy long hiatus from the studio 
so I am very happy to report that I am  
I'm even happier to report that I've actually went and done it and stuck to my guns (sorry, Gene Autry is still singing in my head), including getting my comfy white couch settled in its new home, and finally starting my new "Black Tar" drawing series.


Samantha Palmeri art studio


Drawings are charcoal on heavy handmade paper colored with watercolor wash, approx. 11X14"
















here's some more drawings from today, September 25th. same handmade paper but with no watercolor wash...












January 26, 2014

Finding your Niche

detail of cross stitching
Apparently finding your niche is all about specializing in your own individuality, or so the countless articles I've just read declare, including this interesting one from the Huffington Post.

My problem is I want too many things at once.
It happens in my art and in my everyday life. I just wrote in my journal about wanting to make a painting that was both lush and bare at the same time. I'm all about dichotomies; the control and repetition of cross stitching, the aggressive messiness of painting. Separately it's about trying to combine everything I know into one piece, which I already know doesn't work, but I keep trying.

I envy artists and designers who are so focused on that one thing they do well.

They've found that niche and are working it to death. 

And they're making money off it because I suppose the appearance of that kind of obsessive dedication is more appealing than a little bit of everything for every one. Case in point, I just read a wonderful, inspiring article by John Gravois of Pacific Standard all about the oddly successful niche of selling toast in San Francisco.  

Toast.  
So simple and to the point. 

Why can't I be that smart?
I have so many things I'm trying to do at the same time, if I don't have a list to check off each day I get lost. Right now I am working on two separate to-do lists, one for artwork and one for everything else. The everything else list runs the gamut from food shopping and going to the bank, getting the computer fixed, to looking for that masking fluid I'm not sure I still have. The art list includes appropriate boxes to check off each time I work on a particular project: watercolors, collages, cross stitching, laundry meat rope, & spray foam paintings. 
It doesn't seem very conducive to finding that niche but I am working hard......


works in progress. part of my cross stitch project

the plan is to attach the smaller pieces to create sculptural forms,

like I started to do here. hard to see but this is three dimensional

each piece measures about 4-6 inches



detail

detail









September 13, 2013

paper collages

some paper collages I've been making this week using 
cut up watercolor paintings on handmade paper.
the paper was made with walnut ink making it brown and measures about 5X7". the smaller pieces are folded in half like a notecard.