Showing posts with label gallery exhibition. Show all posts
Showing posts with label gallery exhibition. Show all posts

March 14, 2018

Abstract Heart



FOCUS: Abstract Heart

Abstract Heart: Passion, emotion, deeply-held beliefs – how do we express and convey these concepts through an abstract vocabulary? Abstract Heart solicits work that speaks from the soul through a personal visual language. ...

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www.woodstockart.org
March 17 – April 29, 2018
Juried by Katie Schmidt Feder
Director Garrison Art Center

EXHIBITING ARTISTS: 
Paulette Esrig, Nils Hill, Henry Klimowicz, 
Jerry Michalak, Samantha Palmeri, Tracy Phillips, Stephen Rose, Barbara Smith, 
Kat Stoutenborough, jd weiss

GALLERY TALK: FRI. MAR 23, 5 PM
RECEPTION: MAR 24, 4-6 PM

I'm pleased to be part of this show opening March 24th in Woodstock, NY. 
I'll have three paintings in it. And how nice they used my image for their advertising!

FOCUS: Abstract Heart




March 17 – April 29, 2018

Gallery Talk: Friday, March 23, 5 PM
Reception: Saturday, March 24, 4 – 6 PMMAIN GALLERY
JUROR: Katie Schmidt Feder, Director Garrison Art Center
AWARDS: Linda Freaney Award $100
Exhibiting Artists:
Paulette Esrig, Nils Hill, Henry Klimowicz,
Jerry Michalak, Samantha Palmeri, Tracy Phillips,
Stephen Rose, Barbara Smith Gioia,
Kat Stoutenborough, and jd weiss
Introduced in 2017, the FOCUS series features the work of ten artists in a theme-based exhibition. Selections are curated by a different juror for each exhibition with each artist represented by multiple examples of their work in service to the particular show’s theme.
Abstract Heart: Passion, emotion, deeply-held beliefs – how do we express and convey these concepts through an abstract vocabulary? Abstract Heart solicits work that speaks from the soul through a personal visual language.

In The Press



February 4, 2018

"Byron Kim's painting ritual" by Two Coats of Paint

Byron Kim’s painting ritual

Byron Kim, Sunday Painting 1:20:09, 2009, acrylic and pencil on canvas mounted on panel, 14 x 14 inches

Every Sunday, Byron Kim makes a painting of the sky. One hundred of these purposefully unremarkable small canvases are on view at James Cohan through February 17. What makes them unremarkable are their size and the undramatic skies they depict – not the complex, sublime sky paintings made by, say, great Dutch painters like Aelbert Cuyp and Jacob van Ruisdael. Instead, they are simple renderings with a limited palette of blue and white, and a bit of light grey for the odd cloudy day. Rather than offering an expansive view or capturing the subtle color ranges in cloud forms, these paintings convey a dainty sense of claustrophobia and ennui but no real sense of joy or wonder. It is as if the monotonous ritual of making a painting a week were more important to Kim than the painted image itself.
Byron Kim, Sunday Painting 6:19:01, 2001, acrylic and pencil on panel, 14 x 14 inches
Thus, in Kim’s exhibition, quantity, habit, and process seem to trump the quality of the individual paintings. Reinforcing this point, Kim has handwritten a prosaic note about the day on each painting, perhaps as an indication that Kim’s ambition and concentration have gone missing in the mire of family life and all the yawn-inducing tasks that a successful artist must perform. Kim may be living the dream, but it doesn’t seem very transporting.
Byron Kim, Sunday Painting 3:26:08, 2008, acrylic and pencil on canvas mounted on panel, 14 x 14 inches
Byron Kim, Sunday Painting 4:20:10, 2010, acrylic and pen on canvas mounted on panel, 14 x 14 inches.
Byron Kim, Sunday Painting 1:22:17, acrylic and pencil on canvas mounted on panel, 14 x 14 inches
Byron Kim, Sunday Painting 8:20:17, 2017, acrylic and pencil on canvas mounted on panel, 14 x 14 inches
Byron Kim, installation view.
The project reminds me of On Kawara’s Date Paintings. Each day Kawara crafted a painting of the date in the ubiquitous sans serif typeface Helvetica. In the box where he stored the painting, he also included a page of the newspaper from the city where he was working. Like Kawara, Kim is interested in the idea of maintaining a serial approach rather than engaging with the materiality of paint. But Kim’s project also conjures a link to more painterly perceptual artists, such as Lois Dodd and Giorgio Morandi. Morandi spent his life painting easel-sized still-lifes that depicted small cups, bowls, and other tabletop vessels in tertiary colors, even as World War II raged around him. Lois Dodd has painted the landscape around her familiar Maine homestead for decades, and the resulting body of work is a moving record of a quiet and dedicated life.
Both Morandi and Dodd focus narrowly on translating their immediate surroundings with great painterly nuance onto canvas to convey the emotional timbre of their lives. In this distracted age, especially as the big picture becomes increasingly daunting, it’s undeniably tempting for artists to employ this kind of approach as a kind of refuge. Kim presents an alternative escape, whereby grim routine isolates the artist and decontextualizes the personal content of his work. It’s rather dispirited, and perhaps a sign of the times.
Byron Kim: Sunday Paintings,” James Cohan Gallery, Chelsea, New York, NY. through February 17, 2018.
Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. To use content beyond the scope of this license, permission is required.

January 3, 2018

TIPS FOR THE NEW YEAR


For some reason writing 2018 seems totally natural, like it's been a long time coming. This year I'm not making resolutions. I mean what's to say a resolution at the beginning of the calendar is any more special than at the end of it, or the middle. I do have plans however... yup, plans are good. I'll have some work included in a few exhibitions coming up:



  • January 12-21, "Member Exhibition" at Garrison Art Center, Garrison, NY. Opening reception: January 12, 5-7pm
  • February 2-25, "Conversations" a group show at Buster Levi Gallery in Cold Spring, NY. Opening reception: February 2, 6-8pm
  • June 2018, Three person show at Hudson Beach Glass Gallery in Beacon, NY. (exact dates tba)


with artists Jackie Skrzynski


Jackie Skrzynski, Studio view of Clapper2016, charcoal on paper, 50 x 80"

and Tanya Chaly

Tanya Chaly, Unravel, Installation View March, 2017, The Cluster Gallery, Brooklyn, New York


I'm also planning to apply for that good ol' NYFA Fellowship grant again this year, and more surprises, a couple of people have shown interest in purchasing a painting here and there. So... things are feeling pretty good. At the moment I have a few small pieces in the Small Works show at the Catalyst Gallery in Beacon. The show closes with a reception this Sunday on January 7th. 


Samantha Palmeri Contemporary Artist
Samantha Palmeri, Untitled, 2016, oil on canvas, 30 x 36 inches
This morning I had a lovely studio visit, which I hope is the first of many this year. I get stuck in my own world of time management and obligation and studio work etc. I forget how important it is to stay connected with other artists. Studio visits are awesome! A win-win for everyone. So, maybe that's some kind of a resolution after all, to stay connected. Send me a message if you want to have a studio date... Oh, and happy new year!