Showing posts with label art opening. Show all posts
Showing posts with label art opening. Show all posts

February 21, 2020

In Defense of Painting

Installation view of the exhibition, In Defense of Painting, at Pen + Brush





Pen & Brush is a not-for-profit organization showcasing the work of female artists and writers. They have over 125 years under their belts fighting for gender equity in the arts. Amazing! I am so excited and honored to be showing my work here, and to be part of such a wonderful history. Oops, I mean, herstory!












at the opening February 27


In Defense of Painting
February 27 - April 11, 2020


Pen + Brush

29 East 22nd Street, New York , NY


Opening Reception: Feb. 27th, 6-8pm


In Defense of Painting brings together three contemporary artists, Julia Jo, Samantha Palmeri, and Hojan, who are working with the age-old medium through the basics of form, color, shape, and materiality on a flat surface to embody feelings, emotions, and possibly new ways of seeing. In the twenty-first century context, generations have now lived through the death of painting many times over – yet the medium’s capacity to hold an expression of who we are as humans remains boundless. This boundlessness seems ever more compelling in the internet age.


Each of these artists grapple with pigment, allowing it to dry at various stages of abstraction and, at times, giving way to figuration and from there, animations, all while definitively leaving moments of ambiguity on the surface. Through their invention of forms, viewers are encouraged to enter at their own point of reference, to dive in, to swim, to see, to think, and to feel. This way of painting is a humanist act. It connects us. It doesn’t have to be new every time but somehow it is. Yet, perhaps that is beside the point.


Samantha Palmeri uses personal experiences to inform her painting and in turn “exteriorize our human and cultural interactions” through the examining of the natural, physical, and spiritual world. Born in Staten Island, New York, Palmeri received her Bachelor of Fine Arts from the School of Visual Arts in 1996. She has exhibited throughout New York and has been awarded the Arts Letter and Numbers Residency for 2020. Palmeri works with both figurative and abstract shapes to intentionally create ambiguous forms that aim to challenge the viewer. Focusing on materiality and movement, Palmeri obscures the everyday to explore the relationships and forces that pulse through both objects, space, and the paint itself.


Julia Jo uses paint to push against and with the boundaries of figuration and abstraction in ways that are both founded upon the cannon of painting and innovation. Born in Seoul, South Korea, and currently based in New York, Jo received her Master’s of Fine Art from the Parson’s School of Design from the New School and has exhibited across the United States. Using oil, acrylic, and flashe on a large scale, Jo aims to capture the ephemerality of life and inhabit the moments that are indescribable through language. On her process Jo says: “I chase after moments where abstraction and figuration form a necessary companionship in order to cling to this moment when the feeling inept for description bubbles to the surface. I begin with human forms for compositional elements, and through layering and piecing together, the bodily curvatures form a space. It is through an accumulation of numerous overlapping of forms and lines that the finished painting departs almost completely from figurative roots. In the final painting, the forms disintegrate into an all-over weave of visual movements that turn the surface into a spatial experience made up of brush strokes that harken back to the organic forms of the body. “


Using styles and methods that are both universal and timely, Hojan creates works that speak to the interconnectedness of the medium to the space it occupies. Born in Keelung, Taiwan, Hojan received her Bachelor of Fine Arts in Painting from the Pratt Institute in Brooklyn , New York in 2019, and studied Communications Design in 3D Animation at Shih-Chien University in Taipei, Taiwan. Her work has been exhibited throughout New York and Taiwan, and in 2019 she was awarded the Pratt Circle Award. In John Berger’s Ways of Seeing, he suggests that “The way we see things is affected by what we know or what we believe.” Hojan uses paint to create a narrative within space that is indicative of both the artists’ and the viewers relationship to the medium of painting. In speaking about her work, Hojan states: ”My painting is dealing with the relationships of the color shapes in the pictorial space. Those shapes are turned into characters, which becomes the main elements in the paintings in order to develop the relative position in the space and to create the seeing movement by their gestures. They are meant for the composition. Space embraces them, and they become indispensable in it. Viewers, as they feel the space is believable and comfortable, they enter the painting with what they know or what they believe, finding out that in the pictorial space, those characters are extending the emotional space”.


In conjunction with In Defense of Painting, Pen + Brush launches a new initiative, Project Space: Margaret Roleke in its downstairs gallery space. This space is intended as a separate project driven space that will engage the public in more immersive contemporary art experiences. In its first iteration, Pen + Brush presents the exploratory constructs of Margaret Roleke, who creates work that investigates current issues of gun violence and consumption. Roleke, who has shown her work extensively in New York, Connecticut, and New Jersey, works with small toys, guns, and spent bullet casing in Project Space to explore the relationships and contradictions within popular culture when it comes to consumerism and violence. The artist received a Bachelor of the Arts from Marymount Manhattan College and a Master of Fine Arts from Long Island University, C.W. Post. Roleke has shown work at Spring/Break Art Fair, 14C Art Fair, and Flux Art Fair. Her work has been written about in various publications including Hyperallergic, ArtNet, and Artsy.

March 14, 2018

Abstract Heart



FOCUS: Abstract Heart

Abstract Heart: Passion, emotion, deeply-held beliefs – how do we express and convey these concepts through an abstract vocabulary? Abstract Heart solicits work that speaks from the soul through a personal visual language. ...

Read more
www.woodstockart.org
March 17 – April 29, 2018
Juried by Katie Schmidt Feder
Director Garrison Art Center

EXHIBITING ARTISTS: 
Paulette Esrig, Nils Hill, Henry Klimowicz, 
Jerry Michalak, Samantha Palmeri, Tracy Phillips, Stephen Rose, Barbara Smith, 
Kat Stoutenborough, jd weiss

GALLERY TALK: FRI. MAR 23, 5 PM
RECEPTION: MAR 24, 4-6 PM

I'm pleased to be part of this show opening March 24th in Woodstock, NY. 
I'll have three paintings in it. And how nice they used my image for their advertising!

FOCUS: Abstract Heart




March 17 – April 29, 2018

Gallery Talk: Friday, March 23, 5 PM
Reception: Saturday, March 24, 4 – 6 PMMAIN GALLERY
JUROR: Katie Schmidt Feder, Director Garrison Art Center
AWARDS: Linda Freaney Award $100
Exhibiting Artists:
Paulette Esrig, Nils Hill, Henry Klimowicz,
Jerry Michalak, Samantha Palmeri, Tracy Phillips,
Stephen Rose, Barbara Smith Gioia,
Kat Stoutenborough, and jd weiss
Introduced in 2017, the FOCUS series features the work of ten artists in a theme-based exhibition. Selections are curated by a different juror for each exhibition with each artist represented by multiple examples of their work in service to the particular show’s theme.
Abstract Heart: Passion, emotion, deeply-held beliefs – how do we express and convey these concepts through an abstract vocabulary? Abstract Heart solicits work that speaks from the soul through a personal visual language.

In The Press



January 3, 2018

TIPS FOR THE NEW YEAR


For some reason writing 2018 seems totally natural, like it's been a long time coming. This year I'm not making resolutions. I mean what's to say a resolution at the beginning of the calendar is any more special than at the end of it, or the middle. I do have plans however... yup, plans are good. I'll have some work included in a few exhibitions coming up:



  • January 12-21, "Member Exhibition" at Garrison Art Center, Garrison, NY. Opening reception: January 12, 5-7pm
  • February 2-25, "Conversations" a group show at Buster Levi Gallery in Cold Spring, NY. Opening reception: February 2, 6-8pm
  • June 2018, Three person show at Hudson Beach Glass Gallery in Beacon, NY. (exact dates tba)


with artists Jackie Skrzynski


Jackie Skrzynski, Studio view of Clapper2016, charcoal on paper, 50 x 80"

and Tanya Chaly

Tanya Chaly, Unravel, Installation View March, 2017, The Cluster Gallery, Brooklyn, New York


I'm also planning to apply for that good ol' NYFA Fellowship grant again this year, and more surprises, a couple of people have shown interest in purchasing a painting here and there. So... things are feeling pretty good. At the moment I have a few small pieces in the Small Works show at the Catalyst Gallery in Beacon. The show closes with a reception this Sunday on January 7th. 


Samantha Palmeri Contemporary Artist
Samantha Palmeri, Untitled, 2016, oil on canvas, 30 x 36 inches
This morning I had a lovely studio visit, which I hope is the first of many this year. I get stuck in my own world of time management and obligation and studio work etc. I forget how important it is to stay connected with other artists. Studio visits are awesome! A win-win for everyone. So, maybe that's some kind of a resolution after all, to stay connected. Send me a message if you want to have a studio date... Oh, and happy new year!













January 26, 2017

Hot Selling Copy

This January it feels more like a brand new year than almost any other year I can remember.

Major shifts in thinking are taking place at every level; individually, nationally, globally.  
Change isn't coming, it's here. And for anyone who's ever wished or rallied for change, be prepared, because it's never easy or quick or painless. My father used to say "struggle is good" with the conviction that nothing earned easily was worth earning, and that without the struggle, it could never be truly cherished or appreciated (whatever the it in your life might be). With that thought in mind I feel somewhat optimistic, in spite of the challenges that artists, women and the general American population are about to face.

This has been a January of change for me as well. A newer new year than usual!

I was pleased to participate in a Small Works show at the Catalyst Gallery here in Beacon, and even more pleased to have sold several drawings and a watercolor.

Samantha Palmeri Contemporary Artist
sold pastel drawing, 11 x 14 inches

This Saturday I'll be participating in another group show in Newburgh, and there is a possibility for a solo show of my paintings coming up this June, which I'll keep you posted on.

soon to be my new art studio

I've made the tough decision to move my art studio out of the studio building I've been in for the past two and a half years back to my home. I've gone back and forth about it for a while, but finally bit the bullet as they say. Change is good, right??   . . .  C h a n g e   i s   g o o d . . .   C h a n g e   i s   g o o d . . .   S t r u g g l e   i s   g o o d . . .   S t r u g g l e   i s   g o o d . . .




Last but not least, I'm super excited to have just become the new Director of Beacon Open Studios, a yearly event where Beacon artists open up their studios to the public. It's a huge weekend long, city-wide celebration sponsored by the artists and community members of Beacon, and enjoyed by thousands of visitors from all over. I'm thrilled to have volunteered, but it really is a huge job organizing it all. The irony is that I'm giving up my studio right before this event and will have to look for a temporary space to show my work!

Did I mention struggle is good!

My hope (and I am hopeful), is that you all are able to not just endure the new changes in your own lives, but relish them, because the reward for your perseverance is great!

My Facebook post this morning was this:

Think Big! because from one fallen dying leaf a whole brand new plant can grow



Happy 2017!



September 12, 2013

Art House Gallery Archives: Some Urban in my Suburban Please


Second Installment of Art House Gallery Archives. 

Here is a show I curated in February 2012 titled

Some Urban in my
Suburban
Please

This was our first major show at the gallery and the most fun I had the whole time I was there. Four New York based artists were selected including painters Carmen Einfinger and Meghann Snow, graffiti artist Cram Concepts, and me. The concept was simply to bring some urban into a very suburban area, and I went about it by asking each artist to create their piece on site at the gallery over the course of a long winter weekend. There's nothing like creating artwork alongside other artists creating artwork!

Carmen was the first to arrive. We spent an excellent day together talking and working. There were measurements taken, trips to the hardware store, people coming in and out of the gallery, and me making sure everyone was fed and happy. She worked on her piece while I worked on mine. It was a long day that ended at my house with glasses of wine and good feelings all around.

me concentrating on spray foam

Carmen concentrating on measurements

Carmen Einfinger


Carmen Einfinger


Cram Concepts
Cram Concepts met us bright and early the next day to work on his graffiti mural which would eventually cover three large gallery walls in the next room. Everything was going smoothly. Carmen only had a few hours left of work, Cram was just getting going and I was midway through my piece. What we didn't anticipate was the smell from the spray paint! My attempts to stave off the stench with fans and plastic tarps was to no avail, and the 19th century nailed and painted shut windows weren't helping. We ended up working in our winter coats, 30 degree gusts coming from every open door and crevice we could manage. Cram took an extremely long cigarette break while Carmen finished her piece, and I spent the rest of the evening holed up in the upstairs office.


the beginning of a masterpiece!

Cram Concepts

the ventilator that could've come in handy for the rest of us
my daughter with the fumes
Carmen working in her winter coat

Carmen's finished piece "Fill in the Blanks"

Carmen Einfinger

Cram's finished mural "Purple People Dominator"


work in progress "Eat Me"
Finishing touches for the show were made all the following week including procuring a vintage gumball dispenser to go next to our gum wall, making sure all invitations and press went out on time, preparing for the opening, and, oh yes, finishing my artwork for the show. 


my "Grillz" (Golden Nuggets) in the making
 
Gum Balls

Meghann Snow

Meghann Snow was the last artist to participate as her performance piece would take place at the opening reception. Everyone who's put a show together knows that there are a ton of last minute things to do no matter how prepared you are. To put a snag in the process, Meghann called from the bus stop saying she missed the bus and needed to be picked up a half hour away from the gallery. Once she arrived she discovered a malfunction in the painting suit she had just had made specifically for her piece. When it came time for the performance Meghann walked out in an improvised bubble wrap and masking tape get-up that was both funny and clever! Her hip-hop body painting of a purple and yellow abstract city scape was a hit.
Meghann Snow during her performance
 



Overall Some Urban in my Suburban Please was a big success. We had a ton of people at the opening, a good write-up in the press, visitors who continued to interact with the artwork throughout the show, and an amazing artistic and personal experience for me. I'm thrilled that I got to do this work. Carmen especially taught me a valuable lesson about learning to go with the flow in my artwork and not be so stuck in my own head. Thanks Carmen! And thanks to everyone who participated in this event.


Installation view of Carmen's "Fill in the Blanks" and the brick wall



A visitor making his mark



Meghann's finished piece, Dance Painting #4 with her masking tape booties hanging on the wall

partial view of "Grillz" and Cram's "Ice Cream Clouds" with hall & stairway in background


Some Urban in my Suburban please 
A multi-media site-specific group exhibition with NY artists: 
Cram Concepts, Carmen Einfinger, Samantha Palmeri & Meghann Snow

Press Release
Manahawkin's newest arts space, The Art House Gallery, is pleased to present "Some Urban in my Suburban please", a site-specific group exhibition featuring four artists working in a variety of mixed media. The exhibit fills two main gallery spaces and includes graffiti art, sculpture, interactive painting, and performance art. With most of the work having been created on site at the gallery, collectively the space radiates with raw creative energy similar to the gritty push of a city street.
New York artist Carmen Einfinger, known for her paintings and public works of lively organic patterns, brings her particular harmony of color and playfulness to an interactive installation. Reversing the roles of the traditional artist with the street artist, she's painted her piece directly on the gallery wall, while the visitors of the gallery are left to "graffiti" the unfinished canvas that partially covers it.
New York multi media artist Meghann Snow, who uses dance to create visual art, will be performing a painting piece at the opening reception in which she'll use her body like a paintbrush. Dipping into gallons  of latex paint, neatness will definitely not be a factor here.
Co-owner of the gallery and curator of the show, Samantha Palmeri, contributes two pieces. A debris of colorful paint and mixed  media fills the space of what once was a window pane in the gallery, while a real brick wall is partially built between two rooms. Typical of the urban landscape, here the unfinished rubble brings vitality to the space.
New York graffiti artist Cram Concepts has masterfully spray painted two large murals on the gallery walls. 
A gum wall which visitors can add to on their way in or out completes the show, making "Some Urban in my Suburban please" an eventful and transformative artwork, alleviating most of the white box.

View more videos from Some Urban in my Suburban please here!

https://www.youtube.com/channel/UCZLXEESF2iydiJ1_Gnn86pw