Showing posts with label DIA Beacon. Show all posts
Showing posts with label DIA Beacon. Show all posts

July 13, 2017

Artist of the week: Anne Truitt


Installation view of the exhibition, Anne Truitt Sculpture 1962-2004 at Matthew Marks Gallery
Anne Truitt is an artist I first came to know through her writing. Her three memoirs, DaybookTurn, and Prospect: The Journey of an Artist, are must reads for any studio worker, especially for women and mothers.

First, 1961, Acrylic on wood, 44 ¼ x 17 ¾ x 7 inches. 
Because of her writing, when I see her sculptures I feel like I have a shared intimacy with them. Her work is such a perfect reflection of who she seemed to be. They are at once subtle yet straightforward, delicate yet powerful, thoughtful yet severe.

Watauga, 1962, Acrylic on wood, 46 x 56 x 7 inches

Spring Dryad, 1975, Acrylic on wood, 76 x 13 x 8 inches

Currently there's an Anne Truitt installation at DIA Beacon so I wanted to post this while you can still see the show. It really is just a glimpse, and I wish there were at least five more rooms full, but in order to understand and appreciate what she was all about you do need to stand in the real presence of her work. As she writes in Daybook:
"I am most profoundly grateful to have had the opportunity to see my work... Like the night at the Corcoran Gallery of Art... I walked up and down the dark corridors between their massive forms, most of which towered over me, and held out both my hands to feel them, not touching them. They stood in their own space, in their own time, and I was glad in their presence."
I could easily quote from the entire book since after reading it three times already I am still completely enthralled, but I'll leave it up to you to go get a copy and see for yourself!

Gloucester, 1963–72, Acrylic on wood, 74 x 72 x 13 inches

Morning Choice, 1968, Acrylic on wood, 72 x 14 x 14 inches

Hardcastle, 1962, Acrylic on wood, 99 ¾ x 42 x 16 inches

Pith, 1969, Acrylic on wood, 85 ½ x 18 x 18 inches

View, 1999, Acrylic on wood, 81 x 8 x 8 inches

Second Requiem, 1977, Acrylic on wood, 84 x 10 x 8 inches

Shrove, 1962, Acrylic on wood, 60 x 10 x 10 inches

View of Anne Truitt's Washington D.C studio, 1980

Seven, 1962, Oil (semi-gloss enamel) on wood, 53 ¾ x 32 x 7 ⅞ inches

Southern Elegy, 1962, Oil (semi-gloss and flat) on wood, 47 x 20 ⅞ x 6 ⅞ inches
A Wall for Apricots, 1968, Acrylic on wood, 72 ⅝ x 14 x 14 inches

Anne Truitt in her studio















 

Most of the images here are from the very comprehensive website: http://www.annetruitt.org/
I've selected only her sculpture but her paintings are also significant and worth viewing: http://www.annetruitt.org/works/selected-paintings



September 5, 2014

new works from the studio...

I got a new camera this week and am 
so happy to share some pictures of studio life here in 
Beacon New York -

it's so cool I am able to walk to my studio from home
kinda weird though that it still smells like an old high school


lots of activity going on right now
and still a few boxes that need to be unpacked-

finally put these brushes to good use for the first time in too long

and I can FINALLY see all my supplies all together

here's some of the work which right now is neither here nor there

made with spray foam and mixed materials. this one has some laundry meat stuck in there

I've been checking out a lot of John Chamberlain lately thanks to Dia: Beacon

these could be models for something bigger

or just meaningless balls of spray foam!

here's some experiments with braided spray foam

fun to make but tough to work with

the first time I did it I couldn't get the sticky off my hands for two days


taking the gloves off to get a better grip is a very very bad idea
here's a group of canvases with spray foam slathered on

hard to see the true texture from the photos

better in this one

there's about 9 of these but I don't really know what to do with them yet

and then there's my collages

in between every project, and when all else fails, there's always collages

if I could get what I like about these on a canvas I'd be very happy

they're very thick because most of the cut out papers are heavy watercolor


they're fun to make almost like working on a puzzle


So there it is, pretty much everything I've been working on lately.
There are also some canvases that I started but not picture worthy yet,
and much more to come... see you soon


February 22, 2013

A Better BEACON


This morning at 6:30am the sky was completely filled with a warm salmon and purple color.
Amazing how color in thin air can be so warm and cozy while feet on a ceramic tiled floor so freezing.

Speaking of color, last weekend we took a trip. We are officially on the lookout for greener pastures, an expression I should look up the meaning to, along with the grass is always greener...
(I imagine the world was filled with a lot more grass filled pasture-land than it is now).
So, yes, we made it through another road trip adventure!
This time from Manahawkin, New Jersey to Beacon, New York. 151 miles of changing scenery, traffic jams, and mixed CD's. Here's some advice: Never stay at a $99 hotel. For fifty bucks more you'll get a mint on the pillow, a mag under the mattress, and a floor that's actually been vacuumed within the last century.
 It all worked out though. We just spent more time out and about exploring the town.

DIA Beacon is amazing if you've never been. Their collection of works from the 1970's-80's gives a well rounded education on the art world of that decade. The vast space of the ex-Nabisco printing factory is a sight to see, and apparently only a train ride away from NYC. The shops and galleries on Main Street are very cool. Homespun Foods for breakfast and The Hop for afternoon handcrafted brews are both incredible, and Hudson Beach Glass never fails to hook us up with a present to take home.



The trip ended with an intangible evening at Alex and Allyson Gray's art sanctuary in Wappinger Falls. Led up a dark winding driveway by a guy holding a flashlight to a smaller footpath filled with ice and mud, we had no idea what we were in for! When the sign at the door to the house said please remove your shoes, we looked at each other quizzically. The evening turned out to be an exceptional experience. We left feeling rejuvenated and refreshed.  I can't decide what was more inspiring, Dusthead's otherworldly performance, the dancers, the music, the artwork or all of the above. Talk about good vibes! If it wasn't for the smelly hotel, we would've never wanted to leave!

Yesterday while driving to the Art House, I saw a street sign for Beacon Avenue. One I've never noticed before. Not surprising since all the streets in our neighborhood are named with nautical references. A beacon is a light, a signal post, a guide. And Light is a symbol for Truth.
I realize that what my husband and I are looking for has a lot to do with this, that we're not really in search of greener grass at all, but maybe just a warmer light, which is fine with me...