|Picasso in his studio|
They copied each other, they studied each other, they knew every drawing and painting ever made. They became apprentices, and when they'd copied every single work they could, they suddenly emerged with their own voice and their own way of making things. Amazing.
Amazing because we don't do things that way now. I mean, we learn art history in school because we have to. We collect our heroes along the way, but I think one of the downfalls of my generation of artists is that we don't think we need those old great artists from art history. For some reason there is a whole generation of artists now who think they've invented the wheel and are actually making art that is that most ridiculous and impossible word of all... original.
I suffer from this myself. Not that I believe in originality, but I definitely do not hang out at museums nearly as much as I should. Outside of school assignments I can't think of a time I ever sat down and started copying another artist's work. I think maybe it's time.
Even at this point in my artistic life it still makes sense why it would be beneficial. As an abstract painter I'm pretty much dealing with the same issues that every abstract painter has ever dealt with. So why not take a few cues from artists who've already figured it all out?